Welcome from the Summer School Artistic Director

We’re celebrating 10 years of MfE’s Summer School in style! Pop the champagne corks and come and join the party. The choir will be enjoying a number of popular celebratory opera choruses from Donizetti and Verdi, as well as hits by Mendelssohn, Monteverdi, Rutter and more. The orchestra travels to the stars with extracts from The Planets and comes back to earth with Johann StraussRadetsky March. The wind band will take on the celebratory Concert Prelude by Philip Sparke and the saxophone ensemble will tackle Shostakovich’s jazzy Waltz No.2.

You’re in for a treat this year, with no less than 3 CONCERTS! The Tailleferre Ensemble bring top flight wind playing to the table on Monday, Leo Melvin, esteemed cellist from the Nottingham based Villiers Quartet inspires us on Tuesday and vocal ensemble Sonoro sing for joy on Wednesday. Once the concerts are over, learn from these great artists in specially organised workshops just for you!”

 


The Music:

For Singers:

Donizetti

Verdi

Mendelssohn

Rutter

 

For Orchestra:

Extracts from The Planets

Johann Strauss, Radetsky March

 

 

 

For Wind Band:

Philip Sparke, Concert Prelude

 

 

 

For Saxophone Ensemble:

Shostakovich’s, Waltz No.2.

 

 

 

For String Orchestra:

TBC

 

 

 


Conductors:

Alex Robinson – Artistic Director

Orchestra & Strings conductor

Alex Robinson is an experienced conductor and harpsichordist with a first-class Music degree from the University of Manchester and an MMus in Performance (Conducting) from the Royal Northern College of Music. He studied under Mark Heron, Justin Doyle, and Clark Rundell.

He is currently the Music Director of Haffner Orchestra, Furness Bach Choir, Amaretti Chamber Orchestra and Nottingham Youth Orchestra, and is the Artistic Director of Music for Everyone in Nottingham. Alex has worked with a number of orchestras and opera companies in the UK and internationally, including the BBC Philharmonic, the Hallé, Northern Chamber Orchestra, English Touring Opera, Heritage Opera, Radius Opera, Spokane Symphony, Prague Philharmomia, Hradec Kravlove Philharmonic, Moravian Symphony Orchestra, Eboracum Baroque, Psappha, House of Bedlam and Ensemble Laus Deo.

He has worked as an assistant conductor to Sir Mark Elder, Juanjo Mena, James Lowe, Clark Rundell, Gerry Cornelius, Nicolas Collon, Jonathan Peter Kenny, Vassily Petrenko and Sir Andrew Davies. Alex regularly works with many international soloists including Martin Roscoe, Milan Al-Ashab, Inon Barnatan, Sophie Rosa, Savva Zverev, April Koyejo-Audiger, Simon Walfisch, and many more.

Recently he conducted at Snape Maltings for the 75th Aldeburgh Festival with House of Bedlam, and assisted English Touring Opera with Judith Weir’s ‘Blond Eckbert’. He has also recorded an album of continuo improvisations on harpsichord, conducted the premiere of Samson Young’s ‘One of Two stories or Both’ for Manchester International Festival, worked as repetiteur for several operas including Handel’s Tamerlano, Ottone, Agrippina and Silla, and worked as Assistant Conductor for the premiere of Alan Williams’ ‘The Arsonists’ opera in a Yorkshire accent with the BBC Philharmonic.

Keiron Anderson

Wind Band & Saxophone Ensemble conductor

Keiron Anderson was born in Aberdeen and studied trumpet and keyboard at the Royal Northern College of Music where he started both a light orchestra and big band.

Keiron currently directs Yorkshire Wind Orchestra, Nottingham Symphonic Winds with whom he has produced many excellent concerts and recordings, and Phoenix Concert Band.

He has worked with many other groups including Harlequin Brass, Leeds Conservatoire Wind Orchestra, Nottingham Symphony Orchestra, the National Saxophone Choir of Great Britain and numerous chamber ensembles throughout the UK and Europe as part of a diverse and rich schedule of conducting.

Keiron is a prolific Composer producing unique and exciting new music across an eclectic mix of styles. Some of these works are written specifically for the groups he directs or as commissions for other ensembles. He recently conducted his own music at the Bavarian Music Academy Annual Wind Orchestra course in Germany, coaching composers and conducting the excellent orchestra.

Keiron has worked extensively as a freelance performer working with the Scottish Ballet Orchestra, London Festival Ballet, Welsh Opera, Scottish National Orchestra and the BBC Northern Radio Orchestra. Keiron established the Keiron Anderson Orchestra and completed several years working on cruise ships followed by a period in Spain before returning to the UK and performing all over the country with artists such as Cannon and Ball, Ronnie Corbett, Bob Monkhouse, Little and Large, Frankie Vaughan and many more.

Keiron’s teaching experience includes 10 years as a peripatetic teacher of brass and composition, three years as Head of the Ilkley Music Centre and 18 years as Head of Music, then Head of Creative Arts at Ilkley Grammar School.

Hilary Campbell

Choir conductor

Hilary Campbell is a freelance choral specialist, Founder and Musical Director of professional chamber choir Blossom Street, and Musical Director of Bristol Choral Society, West London Chorus and West London Chamber Choir. Her project work includes guest conducting ensembles such as the BBC Singers, Trinity Laban Chamber Choir, the Fourth Choir and the University of Greenwich Choir, and Chorus Mastering the BBC Symphony Chorus and Royal Academy of Music Symphony Chorus.  She is also Associate Conductor of Ex Cathedra, and often runs projects with Master of the Queen’s Music, Judith Weir, at the Royal Academy of Music, in conjunction with Blossom Street and the RAM composition department.  Hilary also leads workshops for the Royal Opera House and is a course director for Helicon Arts.

Hilary gained a Distinction for an MMus in Choral Conducting at the Royal Academy of Music with Patrick Russill; she was also awarded the three choral conducting prizes.  She received a Distinction for an MA in Vocal Studies at the University of York and undertook an Advanced Postgraduate Diploma in singing at Trinity College of Music.  Following her studies, she returned to the RAM as the Meaker Fellow 2012-13, the first choral conductor to have been thus honoured.

In 2018, Hilary was delighted to be made an Associate of the Royal Academy of Music (ARAM).  In addition to her regular conducting work, Hilary also acts as an adjudicator, choral workshop leader and guest conductor.  She is a founder member of the Voices of London Festival, and is also a published and prize-winning composer.  With Blossom Street, she has released two award-winning Naxos recordings, and recently released a third.

Richard Cox

Summer School accompanist

Local pianist Richard Cox has worked in the Nottingham area and beyond for many years, accompanying numerous soloists and ensembles. He studied music at the University of Nottingham specialising in piano performance with Brenda May, and began working with community organisations after graduating, initially through Music for Everyone (then known as the Nottingham Choral Trust).

He now spends the majority of his time running music-related businesses, including Europadisc (selling recordings of classical music to collectors around the world), and local woodwind specialist, Windblowers.

 

 

Guest Artists:

Tailleferre Ensemble

Devoted to promoting women in classical music, the Tailleferre Ensemble is a UK- based chamber collective founded by oboists Nicola Hands and Penelope Smith. Since its inception in 2019 the group has gone from strength to strength. The ensemble’s work encompasses diverse instrumentation, time periods, and genres, with a particular onus on promoting underrepresented and underappreciated works and composers, both historical and contemporary. Their playing has been praised for its ‘extensive palette of timbres’.

In February 2023 the ensemble released their debut album There are Things to be Said, which reviewers praised for their ‘superb musicianship’ and ‘effortless’ performance. Textura magazine celebrated it as an ‘exceptional debut’ on account of ‘the beauty and precision of the musicians’ playing and their sensitivity to dynamics.’ The ensemble has enjoyed airtime on radio stations across Europe and Canada, and is developing an ongoing relationship with BBC Radio 3. They are especially proud to have ongoing collaborations with numerous contemporary composers, many of whom have dedicated new works to them, including Ingrid Stölzel, Rhian Samuel, Sally Wave, Jonathan Heeley, and Dana Joras.

Recently the ensemble has performed at London’s Conway Hall and St. John’s Smith Square, University Hall in Nottingham. They have also recently collaborated with the English Music Festival and are repeat artists for the Nottingham Chamber Music Festival and Leatherhead Concert & Arts Society. They regularly perform in recital series around the UK, including at St. James Piccadilly, Aylesbury Lunchtime Concerts, Music-at-Hill, St. John’s ARC, and Brighton’s Chapel Royal. The ensemble has also collaborated with Façade Ensemble and the South Florida Chamber Ensemble.

Individual members’ own playing experience includes with orchestras such as Philharmonia Orchestra, BBC Symphony Orchestra, BBC Scottish Symphony Orchestra, English National Opera, BBC National Orchestra of Wales, Aurora Orchestra, RTÉ Concert Orchestra, Royal Scottish National Orchestra, Scottish Chamber Orchestra, Ulster Orchestra, Wexford Festival Opera orchestra and the Orchestra of the Royal Opera House, as well as venues such as the National Theatre, Royal Opera House, London Coliseum, Wilderness Festival, Edinburgh Festival Fringe, National Portrait Gallery, and Wigmore Hall, and recording at Abbey Road Studios.

The Tailleferre Ensemble are Musicians in Residence at St. John’s Church, Notting Hill.

Leo Melvin

Leo Melvin is a cellist based in London. He enjoys a varied career of solo, chamber music and orchestral playing.

Leo graduated with honours from the Guildhall School of Music & Drama in 2013 where he studied with the great Richard Lester. He then went on to study in Germany for a couple of years with several eminent professors such as Troels Svane, Claudio Bohorquez and Kleif Carnarius.

Returning to London, Leo then began working with the top London orchestras – LSO, LPO and Philharmonia. Alongside this he would play solo recitals around the country. Several years later he would join the Villiers Quartet, of which he is still a member today. Leo’s most recent and significant accolade would be becoming a guest principal cello of the London Philharmonic Orchestra.

Leo also teaches both cello and piano, and has a deep passion for great music. His greatest hobby is playing the piano and chamber music with friends, but is also an avid fan of science and reading.

 

Sonoro

Described as “outstandingly refreshing” (BBC Music Magazine) and “abundant in vibrant colour” (The Guardian), Sonoro is one of the UK’s foremost vocal ensembles. Under conductor Neil Ferris, Sonoro have performed at internationally renowned festivals and concert halls, including St Magnus Festival, Orkney, St Martin-in-the-Fields and King’s Place, London, and in St Gallen, Switzerland. Sonoro’s critically acclaimed debut album ‘Passion and Polyphony’ featured works by Sir James MacMillan and Frank Martin, and ‘Christmas with Sonoro’ was BBC Music Magazine’s Christmas choice in 2018. Recent releases which have gained significant recognition include an album of music by Martin Bussey, and two volumes of ‘Choral Inspirations’ featuring choral classics partnered with newly commissioned works by established and emerging British composers, including Errollyn Wallen, Cecilia McDowall, and Oliver Tarney. Combining a passion for excellence in choral music and education, Sonoro’s SING! outreach programme delivers projects in schools, as well as side-by-side performances and conducting masterclasses. SING! has reached hundreds of children and amateur singers, inspiring either a first love of singing or a renewed engagement with a shared passion in choral music.

“Classical concerts seldom feel so downright uplifting.” The Scotsman

“A rich, robust texture, abundant in vibrant colour and undoubted excitement.” The Guardian

“Outstandingly refreshing.” BBC Music Magazine

“A huge dynamic and expressive range.” Gramophone


The Details:

A Summer School pack with all your music will be sent out to you approximately four weeks in advance.

Each day will start at 10am (registration from 9.30am) and finish at approximately 5.30pm with Showcase Concerts for the singers and instrumentalists early on Wednesday evening.

“It was great fun. A varied and fascinating mix of music. Tutors were excellent.”

Be part of the social buzz. There is plenty of time to chat to tutors, browse the stands and enjoy the school grounds.

There will be coffee and pastries to welcome you on the first day and a farewell buffet on the final evening.


The Venue:

Trent College

 

We will be back at the beautiful Trent College in Long Eaton, where expert-led rehearsals will be interspersed with inspiring recitals from acclaimed musicians.

 

 

 


How to Enrol 

The Summer School fee: £145 for MfE Members, £175 for non-members, £85 for Students, covers all music, tuition, refreshments at breaks, and drinks and buffet after the showcase concert. In order to provide the best quality experience for all participants, some instrument numbers will be capped. Please book early to avoid disappointment.

Fully Booked Instruments: Clarinets, Oboes.

To be added to the waiting list for the instruments above, please email anne@music-for-everyone.org

 

For all other instruments/voices, click the button below.

 


 

Please note – booking for this event is now closed.

Orchestral Playing Day: 9.30am – 5.30pm
Albert Hall, North Circus St,
Nottingham NG1 5AA

Blow the Dust off your Instrument – Orchestral Playing Day

Did you learn to play an instrument at school but haven’t got it out of the case for a long while? Have you taken up playing an instrument in adult life just for fun? Do you like playing orchestral music?

If the answer is YES to any of these questions then come to Blow the Dust off your Instrument January 2025.

 

Music for Everyone invites you to a friendly, relaxed playing day at Nottingham’s Albert Hall.

Conducted by Alex Robinson (orchestra and strings) and Claire Franklin (wind band), this playing day will give you the chance to renew old skills or put new-found ones into practice in a friendly, relaxed and supportive environment

   

The music has been chosen for players of all abilities

Parts are be sent out in advance to give you time to get to grips with the notes ahead of the day itself.


Workshop Day Timetable 

9.30 am          Registration opens

10.00 am       Morning rehearsals (to include coffee break)

12.30 pm       Meal break

1.30 pm          Afternoon rehearsals for all players (to include tea break)

4.15 pm          Break

4.30pm           Informal performance for friends and family

5.30pm           End of course

Informal Performance This performance is designed to be part of the workshop experience for participants to enjoy. Friends and family will be welcome to attend. There will be no tickets but voluntary contributions in support of MfE will be much appreciated via a retiring collection.

Workshop Day Fee

The fee includes all music, the workshop experience and coffee or tea at the morning and afternoon breaks.

Orchestra players

Members of Music for Everyone      £40

Non Members                                  £50

Benefit Claimants/Students             £25

How to Enrol

Please note – booking for this event is now closed.

For any further information, email admin@music-for-everyone.org or telephone 0115 958 9312 (Monday – Friday, 9am – 5pm)

The finish line was in sight as we entered the third and final day of the Paris-Olympic themed Summer School… Coffee was consumed (any guesses for how many cups of tea and coffee were made over the 3 days…?) and rehearsals began to put the finishing touches to the pieces chosen to perform in the Showcase concert.

The orchestra had a change of venue to the Obolensky building, where the instrumental concert and buffet would take place later on.

Participants were invited to have their lunch in the Chapel, as Summer School accompanist and wonderful pianist Richard Cox played a relaxing programme of piano classics that brought a calm moment in an otherwise busy, busy day.

The concert began in the Chapel for the first half to hear the singers perform a wide range of repertoire from Lili Boulanger to Marvin Gaye. Then it was over to the Obolensky, with a special performance by the double basses as people entered, to hear the orchestra, wind band, saxophone ensemble and string orchestra, finishing with a grand finale of full choir and orchestra for Zadok the Priest.

THANK YOUS
The biggest THANK YOU and WELL DONE to all the singers and instrumentalists who took part and worked so hard over the 3 days, your performances were incredible and it’s so wonderful for us to see the ones that return year after year and also the many new faces that appear! To the artistic team, Alex, Hilary, Keiron, Rachel and Richard (currently all sharing a bottle of wine with 5 straws…) thank you for all you do to lead and encourage the music-making; the tutors in each section that support the players – you’re amazing.

To the youth volunteers for helping and joining in in so many ways THANK YOU and of course, ‘Anne’s Dad’ (aka Geoff) for making sure the tea and coffee urns were always full! The MfE team who did a fantastic job throughout the 3 days, a special mention to Anne for all she does in organising, planning and running Summer School!

And that’s Summer School for another year! See you all very soon for more music-making!

An incredible second day of Summer School on a (mostly) sunny Tuesday at Trent College.

Rehearsals for choir, orchestra, sax ensemble, string orchestra and wind band (busy, busy!) continued throughout the morning (fuelled by regular top ups of tea, coffee and biscuits of course!).

Today’s guests, all-female a capella quintet Papagena blew the roof off the chapel and received a standing ovation at the end of their lunchtime recital for Summer School participants. Their programme, aptly named ‘Nuns and Roses’ featured hauntingly beautiful melodies of traditional Ukrainian lullabies and Georgian hymns all the way through to ‘hard rock’ Guns ‘n’ Roses Sweet Child o’ mine and finishing with The woman’s ‘If’ – a work commissioned for Papagena and based on Caitlin Moran’s female perspective to Rudyard Kipling’s If. Many of the pieces in the programme were also arranged by members of the group. Simply amazing.

Papagena then led the choir in a workshop, teaching them one of the pieces from their recital and working on some of the repertoire chosen by Hilary for this year’s course.

Further rehearsals in the afternoon led to Tuesday’s ‘sharing concert’ – where the singers perform the players and the players perform to the singers. A short session to share items that won’t feature in the final Showcase Concert – from the choir with Hilary (with Richard’s debut performance on the drums…), the sax ensemble with Keiron, the string orchestra with Rob and the wind band, again with Keiron performing A Single Step of his own composition.

That wraps up another busy Summer School day, bring on the finale!

#SummerSchool2023


Summer School Day 2 in under 20 seconds!

Welcome to Summer School 2023! Taking place once again in the picturesque setting of Trent College in Long Eaton, we are delighted to be back with new and returning faces (participants and staff!).

We kicked off with pastries and a welcome from Robin then it’s straight down to the musical good stuff… Rehearsals! The choir head off the the Chapel with Hilary, orchestra are in the May Hall with Rob and brand new for this year, the saxophone ensemble get started with Keiron in the Rep!

This year, the focus for day 1 is the glorious saxophone, with amazing guest artist Naomi Sullivan treating us to a stunning recital with a varied programme featuring George Gershwin and Jules Demersseman.

The saxophone players then took part in a workshop with Naomi, creating unique effects and developing techniques beyond mere notes – at one point, impersonating a rain storm! (Check out the video clip in the round-up below – that’s the saxophones, not the weather!)

More rehearsals, sectionals and the traditional tea, coffee and biscuits rounded off a great first day – crossing our fingers the sun continues to shine and we’re looking forward to day 2!

#SummerSchool2023


SS23 Day 1!

It doesn’t feel like a year since we were last here, writing about Summer School – but how great it is to be back!

We are once again using the beautiful setting of Trent College in Long Eaton, with many familiar and new faces taking part in this years course. The welcome ‘drink and pastry’ at registration gave everyone a chance to catch up with friends with Robin and Angela kicking things off with an introduction to the 3 days.

The orchestra, conducted by Rob Hodge, got underway with a warm-up involving a lot of standing up and sitting down to get the hearts pumping, then it was into the rousing 633 Squadron for the first rehearsal of the day.

The choir, delighted for Hilary Campbell’s return, enjoyed their morning sessions in the chapel, accompanied by the wonderful Richard Cox with some familiar MfE faces joining the choir this year.

Break time and it’s tea, coffee and biscuits outside in the sunshine, with a browse of the Bookwise stalls. With the help of our lovely volunteers and Chair of Trustees John Hess, teas and coffees were served, with John learning the secret to how many tea bags make a great pot of tea!

The first guest of Summer School 2022 is Anthony Thompson, making Monday the day of the brass instrument with a splendid lunchtime recital on trumpet and flugelhorn. Accompanied by Graziana Presicce on piano, they performed a beautiful and varied programme from Elgar and Vaughan Williams to pieces composed especially for this duo – including the first live performance of Anthony Hedge’s Sonata for Trumpet and Piano – what a treat!

The brass players then got a chance to get really stuck into technique and more in their brass workshop with Anthony during the afternoon… For those who ever wondered what the secret to good note production and articulation is – it’s all down to keeping your ears clean… who knew!

We are beyond thrilled that Gill is back at Summer School to take the wind band, rehearsals and sectionals were sounding great with lots of twiddly notes and scale runs to keep all on their toes!

The orchestra were also joined by an extra, unannounced guest (a remnant of a party over the weekend before we arrived) keeping Rachel company in the horn section, credit to Anthony Thompson for the ‘Tyrana-HORN-us Rex’ pun… wonder if he’ll stay with us the whole 3 days…

Looking forward to Day 2 tomorrow, with more sunshine and hot weather on the way, it promises to be a scorcher!

3 incredible days, 4 amazing conductors, 5 beautiful and inspiring concerts, 6 bottles of hand sanitiser, 12 pieces of music, 124 singers and instrumentalists, 184 sandwiches, 240 cocktail sausages, 425 photos and 628 cups of tea and coffee and that’s Summer School 2021!


The third and final day began with an unexpected warm up on the field for the singers when the fire alarm went off (false alarm!). After a few vocal exercises and stretches in the sunshine with Hilary, it’s back into the Chapel for performance preparation ahead of the Showcase Concert.

Meanwhile, the orchestra are settling into the Obolensky Building where the evening concert is to take place, to run through and polish their chosen performance items with Rob.
After the morning break with tea, coffee and biscuits in the sunshine, the wind band and strings focus on their pieces with Gill and Rob respectively – with some of the eager (and occasionally over-enthusiastic!) MfE team joining the percussion section for the wind band piece and Assistant Artistic Director Rachel shining on the tambourine!

Our final guest artist in the Lunchtime Recital programme is Summer School accompanist Richard Cox. We managed to coax him out from behind the choir and take us all on a whistle-stop tour of Europe with stunning performances of piano works by Bach, Dvorak, Debussy and Ravel.

The afternoon rehearsals include orchestra and choir coming together to rehearse the big finale joint item, then it’s concert time!

The Concert Programme

  • Brahms – Hungarian Rhapsody No.5 Full Orchestra
  • Trad. arr. Zimmerman – The Wellerman Choir
  • Makor – O Lux Beata Trinitas Choir
  • Mozart – Sinfonietta Strings
  • Holst – 1st Suite in Eb for Military Band Wind band
  • Pergolesi – Magnificat Choir and Strings
  • Faure – Cantique de Jean Racine Choir and Strings
  • Reed – El Camino Real Wind band
  • Hamilton – La Danza Espanol Strings
  • Strauss – Thunder and Lightning Polka Full Orchestra
  • Beethoven – Ode to Joy Combined Orchestra and Choir

An emotional end to the concert, for many, this is their first concert in well over a year, if not longer! MfE are also sad to say goodbye to Windband Animateur, Gill Henshaw, who will be leaving her role at the end of the summer to return to full-time teaching. She will be back at MfE events though, she can’t get rid of us that easy!

The performance over, it’s time to tuck into the buffet (which includes the 240 cocktail sausages!) and relax with a drink and a chat with fellow musicians and reflect on the past three days and celebrate the joyful return to music-making.

And that’s it for Summer 2021! Finally, we would just like to say a huge THANK YOU to all our guests and conductors from this week – Chris, Gill, Hilary, Rachel, Richard, Robert and Sam. This years venue, Trent College – amazing support and staff that have helped out. Also to all the singers, players and helpers that came along – thank you for continuing your support of Music for Everyone, particularly over the past eighteen months and we hope to see you all again very soon!

After months of planning and wondering if it would indeed go ahead, the Music for Everyone Summer School for adult instrumentalists and singers returned with a bang today – and how wonderful it was to see everyone!

Trent College, Long Eaton – the setting for the MfE Summer School

This year seemed doubly exciting as well with a 2 year build up from the last course in 2019. We are thrilled to be back at Trent College in Long Eaton this year with 3 days of marvellous music making ahead with this years theme ‘A Grand European Tour’…

Day 1 – The best way to start Summer School is with morning teas, coffees and pastries, making sure everyone is well-fuelled for a busy day. Then it’s time to split into choir and orchestra and begin working together on the pieces that (hopefully!) everyone has been practicing at home.

We are joined this year by wonderful guest conductors, Hilary Campbell and Rob Hodge. Hilary is working with the choir, taking a tour of Europe with pieces by Faure, Beethoven and more. A final addition to their repertoire is ‘The Wellerman’ – a lilting sea shanty from New Zealand.

The orchestra, expertly led by Rob, take their European tour with Hungarian Dances, a Mozart Sinfonietta (strings) and Latin vibes with El Camino Real (windband with MfE Animateur Gill Henshaw).

Morning breaktime and the tea and coffee team have started the annual tally of how many cups will be poured this year. (results to be announced later in the week!) Luckily the weather stayed dry and the sun chose the best moments to appear as everyone enjoyed catching up.

The first guest artist of the Summer School is Sam Sweeney, local folk fiddling superstar from Nottingham and a past Stringwise player in his youth! Sam performed a lunchtime concert with many foot-tapping folk tunes and stories of music to be discovered.

The strings were then treated to a folk workshop with Sam, learning phrases by ear (no sheet music allowed!) and breaking down the basics of folk fiddling – adding a ‘new string to their bow’ (couldn’t quite resist that pun…!)

Squeeze in another cup of tea and coffee (and a biscuit of course!) and one final rehearsal and that’s day 1! So much more to look forward to with special guest artists Chris Swann and Summer School accompanist Richard Cox performing lunchtime recitals over the next 2 days, not forgetting the Showcase Concert on Wednesday evening and the much anticipated buffet! Check back later in the week for another instalment of Summer School 2021…

KEEPING IN TOUCH

Hello everyone,

It’s MfE Summer School time! And as we come to the end of our 1st day, everyone is a little tired but really looking forward to two more days of making music together. And the sunny weather is forecast to continue over the next couple of days – hooray!

Today we all marvelled at the folk fiddling wizardry of guest soloist Sam Sweeney.  Sam originates from the Nottingham area and used to come on our Stringwise courses – it’s amazing what some of our youth players have achieved – fantastic!

We have also very much enjoyed the rehearsals taken by our excellent visiting conductors, Hilary Campbell (choir) and Robert Hodge (orchestra).  And there is so much more to come – exciting!

Here are a few photos of what we have been up to.

Angela

Sam Sweeney’s ‘tune sharing’ and folk workshop.

The singers enjoying a tea/coffee break before heading back to rehearsal with Hilary Campbell

The orchestra finishing off their first day with guest conductor Robert Hodge



Have a good week!

Your friends at MfE.

09/08/2021

admin@music-for-everyone.org

www.music-for-everyone.org | 0115 9589312

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#MfEMondays are Music for Everyone’s weekly emails designed to keep you up to date with MfE events & to circulate interesting finds, special features, and motivational moments for your Mondays! We are aiming to send out something new each week.

Saturday 3rd February 2018, 7.30pm | Albert Hall

Angela Kay MBE | Artistic Director

Victoria Barlow | Guest Conductor, East of England Singers

Nottingham Festival Chorus, East of England Singers and Nottingham Concert Orchestra

What’s interesting about this concert:

  • The Nottingham Festival Chorus of 220 singers is likely be the largest choir to perform a choral work of Carmina Burana’s scale in Nottingham this year. Experiencing this music (often used in films and TV) from a seat in the audience is a thrilling and uplifting experience.
  • Wagner’s Siegfried Idyll, peformed by the orchestra, and Whitacre’s Five Hebrew Love Songs, sung by the East of England Singers, are sensual works born of love: Wagner’s for his wife, Cosima, daughter of composer Franz Liszt, and Whitacre’s for his then girlfriend, now wife, the poet and soprano Hila Plitmann.
  • Carmina Burana, meaning Songs of Beuern, is the title of both the collected 13th century poems Carl Orff used as his text and of his composition. The choir sings words in Latin, Middle High German, Old Provencal and Old French. (We always provide translations in our programmes.) The themes of the poems are as familiar in the 21st century as they were when first written: the fickleness of fortune and wealth, the mystery of life, the joy of the return of Spring, and the pleasures and perils of drinking, gluttony, gambling and lust.
  • Singing in a choir and listening to classical music have been shown to improve mental and physical wellbeing. During rehearsals our singers are learning useful Latin phrases from the poems, such as ‘In taberna quando sumas non curamus quid sit humus’, which means ‘When we are in the pub, we do not think how we will go to dust!’

Click here for further information and tickets.