CheeseWineRehearsals over, and before the Showcase Concert, the delegates, tutors and volunteers enjoyed cheese and wine on a glorious summer’s evening. The University of Nottingham has been a generous and helpful host of an amazing few days of music making. What a rich experience has been had by all – rehearsals of repertoire perhaps not encountered before, small ensemble workshops for instrumentalists, a singing masterclass with Carris Jones followed by a recital, insights into ensemble playing from the Cox Quartet and Equinox Saxophone Ensemble open rehearsals and concerts by both groups, a fascinating talk about Shakespeare and music by John Florance, developing technique sessions, the opportunity to ask advice from the experts in voice and instruments, making new friends, and performing in a concert.

0OrchThe concert gave each group an opportunity to showcase its Shakespeare inspired repertoire to the other delegates of the School and a small audience (fire regulations limiting the number of people allowed in the space). A slight hiccup preceeded the concert,  which led to some relieved and kindly singing fun – Oh dear, what can the matter be… etc etc!

0choirThe full orchestra played a medley from Kiss me Kate, Mendelssohn’s incidental suite A Midsummer Night’s Dream (often known as The Wedding March, sometimes played as the couple leave the church), music from William Walton’s Henry V suite (for the Olivier film of the same name, and with a movement for the String Orchestra only), and Vaughan Williams Serenade to Music. The last two pieces included the choir. The windband played both within the orchestra and on their own with a lively performance of a medley from Westside Story, Bernstein. As well as singing both the choir and solo parts of Serenade to Music, the choir performed two of Rutter’s Birthday Madrigals, Emma Lou Deimer’s Three Madrigals, The Agincourt Song from Walton’s Henry V and William Harris’s tender and poignant And Will A’ Not Come Again. 

We hope all the delegates enjoyed the Summer School as much as we all did. Thank you for your hard work, friendliness and for making it such a wonderful few days. Here’s to the next one!

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And so to the final day of the MfE Summer School 2016. For the choir, full and string orchestras and windband, today was a day of polishing in readiness for the evening showcase concert. The saxophones were in for a added treat.

Equinox 2The Equinox Saxophone Ensemble, led by Alistair Parnell and founded by him in 2005, gave an open rehearsal masterclass. There were many similarities with the points made in Owen and friends’ string quartet rehearsal – listening, discussing, resolving and settling on a way to perform a piece and convey it to an audience. Alistair spoke of the time needed to warm an instrument properly, how the duration of that period increases with the size of the instrument. This is key to tuning and intonation, both of which are notoriously difficult with the saxophone. We marvelled at the six sizes of sax played – two other sizes exist, the contrabass (very low) and soprillo (very high).

SaxEnsembleAfter a quick change, Equinox entertained us with a concert that both astonished and inpsired. It converted saxophones sceptics to huge admirers. The ensemble showed the versitility of the instrument through their wonderful playing of arrangements of music from Mozart to Ravel to Oscar Peterson, arrangements made by Alistair and other members of the ensemble.

Members of the group then led a workshop with the saxophone delegates of the Summer School. They provided the players with either the Ensemble’s normal parts or simpler parts. A hugely inclusive approach that led to a rich sound in a very short space of time. Later, the combined ensemble performed to an appreciative audience – the rest of the Summer School.

“If you like an instrument that sings, play the saxophone. At its best it’s like the human voice.” Stan Getz

ClarinetsWell that was quite a weekend! String, reed, brass and recorder players spent a fun Saturday learning and playing new pieces, which they later performed for family and friends. It was a great day for discovering more about playing in an ensemble, band or orchestra, and making music together. MfE’s Blow the Dust (off your instrument) day will be back early next year.

If you came along, or it sounds like something you would enjoy, the Music for Everyone Summer School might be just what you’re looking for. There is a singing option as well. After last year’s successful first School, we listened to participants’ feedback and have made some changes – longer breaks, opportunities to listen to other groups, and less repertoire so that it can be honed to a nuanced performance standard. The hour-long closing concert will showcase the best of the pieces worked on during the time together.

PatGarden2016The heavens opened on Sunday, but that didn’t deter a group from the East of England Singers from going along to sing in Pat Collings beautiful garden. Thank you, Pat, for all your hard work to put on the event and raise money for Music for Everyone. And thank you to everyone who came along, armed with brollies, to look and to listen.

On Saturday 23rd April at 7.30pm, St Mary’s Church Clifton, the East of England Singers and New Classical Players will be performing a concert of music inspired by the Bard. We warmly invite you to enjoy a programme ranging from Purcell’s comic and delightful Fairy Queen to Walton’s dramatic film score for Henry V, Vaughan Williams’ Serenade to Music, and other Shakespearean texts set to music. The choir welcomes Ant Dean as guest conductor, and Angela Kay to the alto section!

EOES 2015

Some of the pieces being performed will be included in the Music for Everyone Summer School repertoire, so if you’re coming to that, do come along and listen to the treats in store for you in August. Book your tickets for the concert here. Tickets will also be available on the door.

P1110328Imagine a very large rectangular hall, high-ceilinged. The orchestra filling a third of the space, the choir in four rows along a wall running the length of the hall, and an eager audience of about a hundred.

First Robin Reece-Crawford introduces the evening and comperes the concert with information about the composers and the musicians.

Every configuration of instrumentalists and P1110376singers from the Summer School perform several pieces with great enthusiasm. The atmosphere is fantastic. As I’m tucked away in a far corner, which is fine – love those tymps! – I’d handed my camera to Charlotte Pullen, daughter of one of the violinists. See what happens when you sit in the front row! During the concert she takes some wonderful photos to give us a collection of happy memories. Well done, Charlotte, and thanks.

P1110378There is music from Byrd to the Beatles, Pergolesi to Gershwin, Vivaldi to Rutter. In addition to the groups, tutor Owen Cox plays as he conducts Winter from Vivaldi’s Four Seasons, and tutor Gill Henshaw, accompanied by the orchestra, plays a movement of Weber’s Clarinet concerto. Stunning.

The choir sings in different configurations under the ‘baton’ of three conductors. (Not that we’ve have seen a baton all week, have they gone out of fashion?) Here is the lower voices’ moment of glory, with Mike enthusing them from the front. P1110356

The concert comes to an end with a rousing performance of Johann Strauss’s Radetzky March, and choir and audience clap along. Beat that for enthusiasm, Vienna Philharmonic!

P1110382And then our three amazing days of music making, learning new pieces and techniques, listening to first class music, being lead by dynamic conductors who worked so hard and brought out the best in us for the short time of the School, is over. Not forgetting the concerts and masterclasses. We trip off into the night with tired bodies but light hearts, new friendships made, challenges risen to, fine music and much laughter.

More photos to follow – it might take a few days!

Here’s hoping there will be another Summer School – this one was aided greatly by the generosity of the University of Nottingham (my alma mater), who provided the space and facilities. Thanks too for the Summer School go to the Assistant Artistic Director of MfE, Alex Patterson P1110368(I think this was his baby, if you see what I mean), Artistic Director Angela Kay, Adult Programme Co-ordinator Robin Reece-Crawford, Anne, Su and Gemma from the office, tutors and conductors Owen Cox, Mike Gregory, Gill Henshaw, Jane McDouall, Isobel Bounford, accompanists Stefan Reid, Tim Uglow and Martyn Parkes, and other musicians who kindly gave of their time to fill in the gaps or to encourage parts and sections, and of course to all the delegates. (Apologies if I’ve missed anyone.)

Now you might be wondering what happened to Quote of the Day. Well, it was awarded to Angela Kay, we had a titter about it but it is unprintable, so come along to a Music for Everyone event and join in the music making and fun. Thanks for reading – around the world, we gather!

P1110387

Helena 

P1110208Today’s blog posts will be the bread either side of the filling that’s my dinner. Chicken salad. What a day!

Jane McDouall led a warm up for the SATB choir – keep the shoulders down and your face bright – as though greeting someone you’re pleased to see. Alex took over and we sang movements from Vivaldi’s Gloria, shaking off all ‘not quite awake’ feelings.

I slipped out to see what the orchestra was up to and walked into the tranquillity of Elgar’s Nimrod being played with great sensitivity. Hang on, though, what an unusual configuration of instruments! Strings as you would expect. Then how many? Yes, 13 or so flutes and a similar number of clarinets, but no one blaring out, the orchestra blending well under Angela’s baton. There were saxophonists, a tympanist, and to add to the loan double bassist, Chris McDouall on electric bass guitar.

The choir then split in two (no pain was involved, you understand). Sops and altos staying put, P1110212and bases and tenors heading to another room. Jane and Angela introduced the ladies to music by Richard Rodney Bennett and Kodály – unison songs (written really for single voice) and songs for 5 part upper voices.

Once that was underway, I went in search of the lower voices – not all male, you understand, some women’s voices are naturally low enough to sing tenor.

P1110216Their session was being led by a new-comer to MfE (I think), Mike Gregory, who is awarded quote of the day: ‘Sing it like Jeremy Clarkson would.’

I’m sure you can hear it already. Then again, looking at the picture… But once the ignition was turned… !

Right. Dinner time. More for dessert.

Helena 

The first day of the Summer School was intended for those with little experience of the technical aspects of music, but it was helpful that some with more experience had chosen to come too, they lentP1110183 their neighbours a hand.

Through the double act of Angela and Alex, we got to grips with notation, time signatures and rhythm. Angela used various beverages to help us feel the difference in length of notes: tea – crotchet, coffee – two quavers, coca cola – four semi quavers, and beer – a minim. Someone wanted to know the drink for demi-semi-quavers. Suggestions on a postcard please.

The instrumentalists went to the recital hall to look at transposing instruments, how individual parts work and how they fit together. Angela talked about the importance of counting rests by numbering the bars on the first beat: 1 2 3 4, 2 2 3 4, etc. She explained that brass players with oodles of bars rest can “read the newspaper, drink a pint of beer and still come in on time”. That’s what the trumpeter in me likes to hear.

Alex helped the singers tackle intervals (the gap between one note and the next) and reading the dots. Oh, and not forgetting reading the rests, of course.

We were all reminded of the importance of inserting pencil marks into copies:

  • to mark our particular part and aid navigation
  • to highlight the dynamics and the style the conductor requests
  • to make it easier to not just sing this note and that but to produce a nuanced performance that comes from the heart

As Angela said, no one can remember all those details, there is no shame in using a pencil!

After tea we tried our hand at conducting. P1110196For this session instrumentalist played and vocalists sang – fun as well as informative.  Then that was it for today. Repertoire days to come. Now where’s my music… ?

Helena 

Oh yes, we were given a pencil! And a wrist band and a delegate pack full of useful information before being welcomed by the ever Tiggerish Angela Kay and Robin Reece-Crawford.

Many moons ago, aged 14, I joined a small choir where one piece became my favourite, The Lover’s Ghost by Vaughan Williams. Imagine my joy when Apollo 5 opened the Summer School by singing this to us. Sublime.

P1110171The group are not named after the space rocket but Apollo, the god of music, and the number of vocalists. They taught us using the Voce8 method. We limbered up body and brain, adopted a good singing posture and began building up layers, including the pop beat of Western music, rhythms from sub-Saharan Africa, Latin-America and India, sol-fa from Hungary (Who knew? Thanks Kodály!), Asian vocal inflections and melodic lines. We got physical, we got vocal, and we did all this in up to 7 parts. As the session progressed more delegates volunteered to co-lead a section. Some parts were beat-box or vocal percussion in sound, others melodic or to add harmony. Fantastic, and then we were ready for coffee.

We returned to Houston, I mean the rehearsal room, and took off with three new songs that used the techniques learned earlier. After a quick lunch (do bring a packed lunch, would be my advice) we were ready for Apollo 5’s wonderful concert.

P1110174Clare Stewart, Greg Link, Alex Haigh, Ciarán Kelly and Charlotte Brosnan sang Dylan, Adele, Java Jive, Finzi, Bairstow, Sondheim and others with such attention to detail, listening intently to each other to keep the tuning and harmony tight, conveying the story of the lyrics and the emotion of the music. There was rapturous applause before we said goodbye. They set off to teach a lucky group elsewhere.

News of the afternoon to follow.

Helena Durham

Apollo 5 are part of a music education charity based at the Gresham Centre, London.

My journey however doesn’t require a jet plane (as the song goes), bus and feet will take me to the Department of Music, University of Nottingham for the first day of the Music for Everyone Summer School.

So I have packed: lunch, water, throat-soothing sweets and tissues (I have the remnant of a cold, bother), camera and pencil – though I’m hoping the MfE tradition of a issuing a commemorative and useful pencil will add another to my collection, but NO music, at least not for the first day.

This feels rather liberating. As a singer, I’ll be spending the morning with vocal ensemble Apollo 5. Watching them on youtube tells me we’ll be listening to each other carefully and having fun too.

If you’d also like to hear them live, they are giving a concert at 1.30pm today, Djanogly Recital Hall, in the School of Music (next building down from the Djanogly Gallery and cafe), University Park campus. Tickets are £5.

logo_GreenSometimes everything goes quiet in August, but not this year!

A large, brown envelope dropped through my letter box a few weeks ago brimming with information and music for the three-day Music for Everyone (MfE) Summer School. It starts next Monday, the 17th of August, at the University of Nottingham. I’m looking forward to excellent music-making with the other 203 delegates, lots of fun, and relaxing breaks (Ice cream!) in the beautiful surroundings of the University Park.

Visiting professional musicians, a cappella ensemble Apollo 5, mezzo-soprano Carris Jones, violinist Owen Cox and clarinetist Sarah Watts, will be giving workshops, masterclasses and short public concerts.

No doubt the tutors, Angela Kay, Alex Patterson, Gill Henshaw, assisted by Jane McDouall, Mike Gregory, Isobel Bounford, Owen Cox, and Stefan Reid, will bring out the best in us. Having sung with MfE before, I know it’s going to be great. MfE have invited me to blog about it, which I’ll happily do between singing pieces from Byrd to Rutter, Vivaldi to Kodaly, and a few surprises yet to be revealed. I’ll pop in on the instrumentalists too. They appear to have an exciting programme of classical music, jazz and swing awaiting them. Maybe I should dust off my flute… Did I mention we’ll also be learning how to conduct?!

Helena Durham

A note from the MfE office: Details of the concerts and tickets can be found here.