A Trio of String News – Stringwise, Sheku and Strictly Strings

11th November 201618th November 2016 Music for Everyone

This weekend the youngsters of Stringwise will be polishing up their pieces for a family and friends’ concert on Sunday. Hopefully these musicians will have been inspired by local teenager and former Stringwise play, Sheku Kanneh Mason, winner of this year’s BBC Young Musician of the Year. As well as being quite a week for MfE’s young string players, it’s been quite a week for Sheku. He signed a record deal with Decca on a Nottingham City Transport bus! As you do, when you’re on your way home from your local Nottingham school. Congratulations!

As though Stringwise and Sheku weren’t enough letter Ss, we came over all aliterative and added Strictly Strings. Now there might not be a glitter ball, and there definitely won’t be judges, but there will be lots of fun in making music. Nottingham Strictly Strings is a new and exciting Music for Everyone group for young string players grades 2 to 5. The plan is for this to become a group that meets regularly, just like the East Midlands Youth String Orchestra for grades 5 and above. To get the group up and running, there are going to be some FREE Taster Sessions run by the talented and lovely Ann-Marie Shaw, MfE’s String animateur.

When? Sunday 20 November, Sunday 18 December 2.00pm-5.00pm, with a break.

Where? Bluecoat Academy, Aspley Lane.

How do I book a place? Phone the MfE office 0115 958 9312 or email admin@music-for-everyone.org

Or for more information email: annmarie@music-for-everyone.org

And if your responsible adult forgets to book, never mind, just come along on either or both dates with your violin, viola, cello or double bass. And your bow, of course. Did we need to say that? Probably not.

NOW BOOKING – Blow the Dust off Your Instrument, and Nottingham Festival Chorus course and concert

6th November 20166th November 2016 Music for Everyone

Feeling the chill of winter coming on? Warm it up by booking for one or both of our opportunities for adults, or tickets for the Festival Chorus Concert.

Blow the Dust is for instrumentalists, including recorder players, on Saturday 7 January 2017 at Nottingham’s Albert Hall. We suggest Associated Board Grade 2 and above (or equivalent). You will play in different groupings of instruments to give you a wide and enjoyable experience during this orchestral playing day. If you play the recorder, any size of recorder, the ensemble meets in the afternoon only. For more details, click here.

What will we be playing?

The music has been chosen to give scope to players of all abilities and will include Berlioz’s rousing Hungarian March, Tchaikovsky’s lyrical Waltz from his Serenade for Strings especially arranged for full orchestra, the well known Trumpet Tune by Purcell and Elgar’s stirring Pomp and Circumstance March No 4.

There will also be items for windband (conductor Gill Henshaw) and string orchestra (conductor Ann-Marie Shaw). The recorder ensemble will have a varied diet of music carefully chosen by their conductor, Chris McDouall.

The Nottingham Festival Chorus event is spread over two weekends. The rehearsal course, always fun and a challenge to polish up those notes and your singing ability, will be led by Angela Kay, and takes place on Saturday 28 and Sunday 29 January at the Bluecoat Academy, Aspley. The final rehearsal and concert are the following Saturday 4 February in the Albert Hall. For more details, click here.

What will we be singing?

This year, there are two works. One of the favourites of the choral music repertoire, Haydn’s Nelson Mass, which is packed full of memorable themes and classic choruses. And then, from the declamatory opening to the final exultant flourish of chorus and orchestra, Dvorak’s Te Deum is a joyous whirlwind of vitality and excitement! We are delighted to welcome Marcus Farnsworth as guest conductor of the concert. What a privilege and treat.

Concert: To book tickets for the Festival Chorus’s concert, click here.

Wow! Join an MfE group, whatever age you are

7th October 2016 Music for Everyone

Anyone who sings or plays an instrument will have sensed this, but here’s the science. It’s never too late to join a group, have lessons, blow the dust off your voice or that recorder/trumpet/cello/drum etc, etc, gathering dust under the bed or in the attic. MfE (Music for Everyone) has something for primary aged children, teenagers and younger and older adults.

The BIG FRIENDLY SING and STRINGWISE – Music for Youngsters

28th September 201628th September 2016 Music for Everyone

FOR CHILDREN WHO LOVE TO SING:

Would your primary aged child or children enjoy burning up some half-term energy with a fun singing day? Then the BIG FRIENDLY SING is for them. The BFS (not to be confused with the BFG!) is a new venture for Music for Everyone, and a variation on our years of running Vocals! for children from the same age group.

It’s going to be from 9.30 – 4.00 on Tuesday 25th October at John Clifford School in Beeston. (Very near to the Middle Street tram stop.) The children will be split into groups of similar ages. There will be nothing to prepare beforehand, just the singing games and songs of the BFS to enjoy on the day. The day will end with a ‘come and share’ informal concert from 3.30pm. The children will need to bring ~~snozzcumbers~~ food for the day, drinks will be provided. For more informtion and to book, click here.

FOR CHILDREN WHO PLAY A STRING INSTRUMENT:

STRINGWISE is for young string players, with groups from beginners to those with Grade 6. It happens over two weekends in November. No doubt you’ll know of Sheku Kanneh-Mason winning Young Musician of the Year 2016, but did you know he used to play in STRINGWISE? His mum kindly sent us some photos, and they are both happy for us to write a bit about Sheku and STRINGWISE:

For Sheku, it all started back in 2005 when he saw his sister perform in our Stringwise concert. He became transfixed with the cello section and decided that was the instrument for him! He then switched from violin to cello and went on to take part in our Stringwise courses, impressing our conductors with his astonishing ability to play everything from memory!

Who knows what ability might be drawn out of a young player who comes to Stringwise?! Rosin that bow!

Hop over to the STRINGWISE page for more information and to book.

Choral Workshop, Choirs and Concerts

23rd September 2016 Music for Everyone

This is the splendid Jakob Ludwig Felix Mendelssohn Bartholdy, known as Felix Mendlessohn to his friends. He is central to some of Music for Everyone’s autumn adult choral events.

On Saturday 1st October, Angela Kay will lead a choral workshop exploring the riches of Mendelssohn’s oratorio, Elijah. There are only a few places left, so sign up soon if you’d like to come. We’re looking forward to seeing you there for a day of singing simply for the joy of it – no concert, no pressure.

The following Saturday, 8th October, the East of England Singers, also conducted by Angela, will give a concert in St Mary Magdalene Church, Hucknall. Their programme of religious choral music spans 400 years and will include string orchestral pieces by Mozart and Pärt.

Without Mendelssohn, whose piece Beatus Vir opens the concert, the choral music of J S Bach might have been lost for many more years, even for ever. It’s fitting then that the largest work in the concert will be Bach’s glorious motet, Singet dem Herrn ein neues Lied (Sing to the Lord a new song). After the interval the programme travels through the 19th, 20th and 21st centuries with a vareity of well known and lesser known delightful motets. Something for everyone. Click here for tickets.

If you love to sing, Music for Everyone has plenty of choirs for you to join:

Daytime Voices are singing groups based in 5 locations: Southwell, West Bridgford, Wollaton, Sherwood and (new for 2016/17) Ollerton. Although they started this week, you’d still be welcome to join. Click here for info etc.

On Tuesday lunchtimes the Nottingham Lunchtime Choir meets at the Royal Concert Hall for a burst of singing fun. The music ranges from folk and pop to blues and classical. The rehearsal is short enough to fit into a lunch break for those who work. It doesn’t matter at all if you can’t read music. There will be an exciting opportunity in December to sing in a short concert before the Halle Orchestra’s Christmas Concert. More here.

The East of England Singers (EOES) is an auditioned chamber choir and open to new members. Singers need to have good sight reading ability and time to commit to a busy concert schedule of both EOES concerts and Music for Everyone choral events, where they often form the semi-chorus. The ability to make tea is an advantage.

2016 MfE Summer School: Day 3, part 2

19th August 201618th August 2016 Music for Everyone

Rehearsals over, and before the Showcase Concert, the delegates, tutors and volunteers enjoyed cheese and wine on a glorious summer’s evening. The University of Nottingham has been a generous and helpful host of an amazing few days of music making. What a rich experience has been had by all – rehearsals of repertoire perhaps not encountered before, small ensemble workshops for instrumentalists, a singing masterclass with Carris Jones followed by a recital, insights into ensemble playing from the Cox Quartet and Equinox Saxophone Ensemble open rehearsals and concerts by both groups, a fascinating talk about Shakespeare and music by John Florance, developing technique sessions, the opportunity to ask advice from the experts in voice and instruments, making new friends, and performing in a concert.

The concert gave each group an opportunity to showcase its Shakespeare inspired repertoire to the other delegates of the School and a small audience (fire regulations limiting the number of people allowed in the space). A slight hiccup preceeded the concert, which led to some relieved and kindly singing fun – Oh dear, what can the matter be… etc etc!

The full orchestra played a medley from Kiss me Kate, Mendelssohn’s incidental suite A Midsummer Night’s Dream (often known as The Wedding March, sometimes played as the couple leave the church), music from William Walton’s Henry V suite (for the Olivier film of the same name, and with a movement for the String Orchestra only), and Vaughan Williams Serenade to Music. The last two pieces included the choir. The windband played both within the orchestra and on their own with a lively performance of a medley from Westside Story, Bernstein. As well as singing both the choir and solo parts of Serenade to Music, the choir performed two of Rutter’s Birthday Madrigals, Emma Lou Deimer’s Three Madrigals, The Agincourt Song from Walton’s Henry V and William Harris’s tender and poignant And Will A’ Not Come Again.

We hope all the delegates enjoyed the Summer School as much as we all did. Thank you for your hard work, friendliness and for making it such a wonderful few days. Here’s to the next one!

If you use Facebook, you’ll find more photos and videos from the Summer School on the Music for Everyone Facebook page. ‘Like’ us, and news will pop up in your feed. You can also sign up to follow this, the MfE blog, by email (see box to the right).

2016 MfE Summer School: Day 3, part 1

18th August 201620th August 2016 Music for Everyone

And so to the final day of the MfE Summer School 2016. For the choir, full and string orchestras and windband, today was a day of polishing in readiness for the evening showcase concert. The saxophones were in for a added treat.

The Equinox Saxophone Ensemble, led by Alistair Parnell and founded by him in 2005, gave an open rehearsal masterclass. There were many similarities with the points made in Owen and friends’ string quartet rehearsal – listening, discussing, resolving and settling on a way to perform a piece and convey it to an audience. Alistair spoke of the time needed to warm an instrument properly, how the duration of that period increases with the size of the instrument. This is key to tuning and intonation, both of which are notoriously difficult with the saxophone. We marvelled at the six sizes of sax played – two other sizes exist, the contrabass (very low) and soprillo (very high).

After a quick change, Equinox entertained us with a concert that both astonished and inpsired. It converted saxophones sceptics to huge admirers. The ensemble showed the versitility of the instrument through their wonderful playing of arrangements of music from Mozart to Ravel to Oscar Peterson, arrangements made by Alistair and other members of the ensemble.

Members of the group then led a workshop with the saxophone delegates of the Summer School. They provided the players with either the Ensemble’s normal parts or simpler parts. A hugely inclusive approach that led to a rich sound in a very short space of time. Later, the combined ensemble performed to an appreciative audience – the rest of the Summer School.

“If you like an instrument that sings, play the saxophone. At its best it’s like the human voice.” Stan Getz

2016 MfE Summer School: Day 2, part 1

16th August 2016 Music for Everyone

What a day! The choir beavered away at their repertoire under the tution of Guy Turner, Mike Gregory, Jane McDouall and MfE’s Artistic Director, Angela Kay. Works being rehearsed are by Rutter Birthday Madrigals, Harris And will ‘a not, Deimer Three Madrigals and Vaughan Williams Serenade to Music. The choir then split into upper and lower voices for sectional rehearsals, where tips were also given about technique. The ladies particularly know a lot more anatomy than before they came, and about posture, breathing, core muscles, etc. Singers who normally sing in larger choral societies have expressed enjoyment in singing more intimate works, often sung by chamber groups.

The full orchestra rehearsed first thing under the baton (newly purchased from the Winblowers stall in the rehearsal hall) of Phil Smith, and played a medley from Kiss me Kate. Instrumentalist split later into the string orchestra and the windband. More about these groups tomorrow. And more in a second post about the Cox Quartet open rehearsal (masterclass in quartet playing) and their concert.

The sun shone again, so coffee, lunch and tea were taken outside by many. Times to chat with old friends and to make new ones.

After lunch, John Florance, a raconteur with a PhD in English Literature and Drama, and former Radio Leicester presenter, explored the importance of music to Shakespeare, and in his plays. He chose a Shakespeare inspired piece from each musical era from the Bard’s time until today, and showed how his words have inspired music of all genres – opera, song, orchestral, ballet, jazz, musical, rock and pop.

The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Mark the music.

The Merchant of Venice, William Shakespeare.

2016 MfE Summer School: Day 2, part 2

16th August 201617th August 2016 Music for Everyone

Today the strings rehearsed with Owen Cox. Owen, like Sheku Kanneh-Mason, came to Music for Everyone’s Stringwise as a boy. He has played in the CBSO and many other orchestras and chamber groups, and teaches at Chetham’s Music School, Manchester. Owen has been a member of several quartets and brought three players along to the Summer School to perform as a quartet, which they do when time and geography permit. The Cox Quartet.

The four of them gave an open rehearsal. This was a masterclass in chamber music playing. They discussed their working processes to decide on the interpretation of the music – understanding the composer and background to the piece, considering technique to convey the performance both technically as an ensemble and, most importantly, emotionally. They explained how many quartets prefer just to be together to work intensively on the music rather than to socialise. This group is unusual in that Owen is married to Katie Stillman, violinist, and Joe and Ken Ichinose, viola and cello, are brothers. Their enjoyment in being together was evident. Each player highlighted a passage to discuss from either Haydn’s Quartet in E flat Major – Op.64, No. 6 or Mendelssohn’s Quartet in F minor, Op.80. They played a version of it that was perhaps more legato or more articualated, and asked the audience which they preferred and why.

It was a hugely engaging, unique and fascinating experience, and striking that so many of the techniques used in chamber playing apply across all instruments, including the voice. For example, Ken explained that when all four parts are marked forte, it did not mean all instruments strived for the same volume. Rather they had to understand the music vertically and work out which part’s forte should be louder, and which parts should play a less loud forte so that the melody or theme was not drowned out. Listening to each other and understanding the music being key.

Katie has an extensive carreer as a soloist, chamber musician and an orchestral principal. She is a member of the Academy of St Martin in the Fields, co-leader of Manchester Camerata and regularly leads the Birmingham Contemporary Music Group.

Joe has established a varied freelance career as a violist, playing regulary at the Royal Opera House Covent Garden, and period playing with Orchestre Revolutionnaire et Romantique. He will be playing in a Prom performance later in the series.

Ken co-founded the Galitzin String Quartet, which toured internationally. He is co-artisitic director of the annual ‘Accord et a Cordes’ cheamber music festival near Montpellier, France. Before joining the New Zealand Symphony Orchestra as Associate Principal in 2014, he enjoyed 10 years of freelancing with London orchestras, including the Philharmonia, Academy of St Martin in the Fields, and the Royal Opera House.

As the second day of the Summer School came to a close, the Quartet gave a concert performance of the two quartets rehearsed earlier. Their playing took the audience through the story the music conveyed and touched every emotion imaginable, from reflective to sad, to playful and joyous, all enhanced by their huge delight in playing together. It was an enormous privelege to hear the rehearsal and the performence. Both will stay in the memory for a long time.

2016 MfE Summer School: Day 1, part 2

15th August 201616th August 2016 Music for Everyone

Carris Jones, mezzo-soprano, studied at Cambridge University and the RAM, graduating with a DipRAM Distinction, the Academy’s highest performance award. Operatic experience includes cover Cornelia Julius Caesar (ENO), Mother/Witch Hansel and Gretel (Co-Opera), cover Susanna (Ilford), cover Hippolyta A Midsummer Night’s Dream, Il Turco in Italia, The Magic Flute (Garsington), Dido Dido and Aeneas (Eltham Choral Society). Other experience includes Elgar Sea Pictures and Mahler Kindertotenlieder (North London Symphony Orchestra) and Verdi Requiem at the Sheldonian in Ozford. In 2013 she made her Royal Festival Hall solo debut as Renee in the European premier of Shostakovich Orango, with Esa-Pekka Salonen and the Philharmonia.

Libby Burgess accompanied Carris with great sensitivity. Libby is dedicated to the fields of song and chamber music, collaborating regularly with some of the finest singers and instrumentalists of her generation. Her diverse schedule ranges from song recitals in the UK’s major concert halls and festivals, to chamber music in obsure venues around the country or appearances on Radio 3. She is Artistic Director of New Paths, a major new festival of concerts, outreach, and education events in Beverley, Yorkshire.

The Shakespeare theme was taken up by Carris, here’s her varied and delightful programme.

Schubert – An Silvia

Haydn – She never told her love

Korngold – Willow Song; Blow, blow thou winter wind; Come away death; Adieu good man devil, Hey Robin

Quilter – Three Shakespeare Songs

Cheryl Frances-Hoad – Two Shakespeare Songs

Dring – Take O take those lips away; It was a lover and his lass; Come away death; The cuckoo

Author: Music for Everyone