Feeling the chill of winter coming on? Warm it up by booking for one or both of our opportunities for adults, or tickets for the Festival Chorus Concert.

DSC01424Blow the Dust is for instrumentalists, including recorder players, on Saturday 7 January 2017 at Nottingham’s Albert Hall. We suggest Associated Board Grade 2 and above (or equivalent). You will play in different groupings of instruments to give you a wide and enjoyable experience during this orchestral playing day. If you play the recorder, any size of recorder, the ensemble meets in the afternoon only. For more details, click here.

What will we be playing?

The music has been chosen to give scope to players of all abilities and will include Berlioz’s rousing Hungarian March, Tchaikovsky’s lyrical Waltz from his Serenade for Strings especially arranged for full orchestra, the well known Trumpet Tune by Purcell and Elgar’s stirring Pomp and Circumstance March No 4.

There will also be items for windband (conductor Gill Henshaw) and string orchestra (conductor Ann-Marie Shaw). The recorder ensemble will have a varied diet of music carefully chosen by their conductor, Chris McDouall.

MfE-9839The Nottingham Festival Chorus event is spread over two weekends. The rehearsal course, always fun and a challenge to polish up those notes and your singing ability, will be led by Angela Kay, and takes place on Saturday 28 and Sunday 29 January at the Bluecoat Academy, Aspley. The final rehearsal and concert are the following Saturday 4 February in the Albert Hall. For more details, click here.

What will we be singing?

This year, there are two works. One of the favourites of the choral music repertoire, Haydn’s Nelson Mass, which is packed full of memorable themes and classic choruses. And then, from the declamatory opening to the final exultant flourish of chorus and orchestra, Dvorak’s Te Deum is a joyous whirlwind of vitality and excitement! We are delighted to welcome Marcus Farnsworth as guest conductor of the concert. What a privilege and treat.

Concert: To book tickets for the Festival Chorus’s concert, click here.

 

Travelling to Bluecoat Academy for rehearsals today are two groups of musicians who illustrate the breadth and diversity of Music for Everyone’s commitment to music-making for all.

DSC01669In one building, there will be an intensive workshop for advanced string players. During the day, under the baton of Richard Howarth, a distinguished violinist and conductor, the orchestra will focus on Tchaikovsky’s hauntingly beautiful Serenade for Strings and other pieces. They will give a FREE concert in St Peter’s Church Ruddington, 4pm tomorrow, Sunday 8 May. Last year’s concert was wonderful, so this one is not to be missed.
bluerktIn another building, nearly 100 primary school children will be blasting off into space themed songs. Their Reach for the Stars concert will be a week tomorrow, Sunday 15 May at 3.30pm in the Albert Hall, complete with the experimental antics of Mad Science! Will there be stinks and bangs and smoke and goodness knows what?!

The children have been learning their words and listening to the songs at home (just as our adult singers do) and will be rehearsing with Alison Bennett (Vocals! conductor), Ray McLeod (Youth Animateur and vocal coach) Phil Smith (MfE’s new Youth Programme Co-ordinator, conductor of Sherwood Daytime Voices), Jane McDouall (conductor of Girls Voice and West Bridgford Daytime Voices). Not forgetting, of course, MfE’s admin staff and all the wonderful volunteers who give of their time to look after the children and make the weekend and concert run smoothly. Here’s a HUGE MfE THANK YOU to the volunteers.

cropped-logo_darkblue_green-copy.jpg “Inspiration is a guest that does not willingly visit the lazy.” Pyotr Ilyich Tchaikovsky

Tchaikovsky (1840-1893) was a prolific composer: ballet scores, e.g. Swan Lake and The Nutcracker, concerti for the shviolin and piano, six symphonies and other orchestral works. He wrote songs, instrumental music and opera, the best known of which is Eugene Onegin. He was a troubled man from a young age until his death. Whether he died from natural causes or suicide remains a point of conjecture. He wrote music of passion and deep emotion, but by no means all melancholic. Music, it’s good for the soul.

The original version of Legend (Легенда) (also known as Crown of Roses), which we will be singing on Saturday, appeared first in Tchaikovsky’s 1882 collection, 16 Songs for Children.  He arranged it for SATB chorus in 1889. The words tell a legendary story of children meeting with Jesus. The verses foreshadow the Easter story, yet the piece is often sung at Christmas, perhaps because it begins “When Jesus Christ was yet a child”.

No doubt we will be looking at how to make the oh so important opening of Legend sound beautiful. ‘When’ is not an easy word to start on, it can easily sound from too far back, in the throat and a bit strangled. The soft and breathy consonants of ‘wh’ can be lost. A further problem is that the note for both ‘When’ and ‘Je-‘ is the same, and  whenever a note is repeated, there is a risk that the second occurrence will come out a shade flat. This can be compounded by a descending phrase, which is just what the sopranos have. Preventing the tuning slipping downwards comes by supporting the breath with the body – firm up those abs and support the diaphragm folks – and the mind. The mind? Yes! Think up and hold up, and all being well the notes will stay in tune. See what you think of the opening in this version:

 

This is the final Simply Romantic blog post before the day itself, but you might like to take a look at these videos in the meantime. See you all on Saturday, we’re looking forward to it. There will be a review entry of the day itself and then news about the East of England Singers’ concert on the 17th of October at St John’s, Carrington – Purcell, Mozart, Bruckner and Stravinsky. Voices, drums, woodwind and brass. Not to be missed!

(If you are reading this blog post in the emailed format, the video of Legend may not show. Click through to the website to watch it.)